Spatial media capabilities for architecture practices and brand teams, defining how a media concept becomes an integral part of the brand experience. The work covers where media sits in a space, how the system is structured, and how the environment behaves once installed. Most commissions draw on several capabilities together.
Concept-stage definition of the media layer in an architectural project: which surfaces become active, how they behave, and how content, controls, and technical implementation coordinate as one system. Delivered to architects, agencies, and brands before hardware or content decisions are taken.
Flagships, pavilions, exhibitions, and hospitality spaces where image, light, sound, and sensing share one logic. The space responds to its occupants while the technology itself stays behind the experience.
TouchDesigner as the integration layer for installations that combine sensing, real-time rendering, protocol translation, lighting, and operational control. One graph holds the full chain in a form that stays readable, debuggable, and stable in public conditions.
Turning ordinary movement into signal the media layer can act on. Detection and tracking pipelines tuned for the actual scene, with zone logic, dwell and direction outputs, and privacy-sensitive architecture where required.
Light as a spatial material, with addressable and pixel-mapped control, developed as part of the same media system as screens, sound, or sensing. Distinct from decorative lighting; designed to carry atmosphere and register occupation.
Visual content produced in real time by an authored algorithm. Designed for spaces where content runs for hours and repetition would be noticed, with defined parameter boundaries so the result stays intentional.